Krish Natarajan blends imaginative storytelling and child mentorship in his direction of ChildAid 2024.
Krish Natarajan, recognized as one of Singapore’s rising stars in theatre, is finishing a packed 2024 by directing ChildAid 2024, a performance close to his heart. The 29-year-old actor, writer, and director, known for his immersive productions, is combining his love for storytelling with his passion for working with children in this unique show.
ChildAid, an event organized by The Straits Times and The Business Times, features a blend of music, dance, theatre, and performances by talented young performers, with the goal of raising funds for underprivileged children. For Natarajan, the energy and passion of the child cast members are inspiring. He emphasizes the difference in working with children compared to adults: “With child casts, I have to physically demonstrate the motions,” he explains.
This year’s ChildAid, the 20th edition of the show, is especially grand. Titled The Dream Emporium, the production takes the audience into a whimsical world where children’s dreams are realized through a mix of song, dance, and cutting-edge technology. Natarajan hopes the show will create a space where children understand the importance of their dreams. “Ultimately, it’s about creating a world where kids see that their dreams matter,” he said.
The show will be held at the Esplanade Theatre on November 29 and 30, with ticket prices starting at $28. Proceeds from the event will benefit The Straits Times School Pocket Money Fund and The Business Times Budding Artists Fund, which support children in need.
Reflecting on his own journey into theatre, Natarajan recalls how his early exposure to theatre – from school productions to his time at the School of the Arts – shaped his career. Now a prominent figure in Singapore’s theatre scene, Natarajan is known for reinventing the theatre experience, blending immersive elements with live-action role-playing in his works like Crack The Case – Red: An Artful Murder.
ChildAid, however, represents a shift to a more reflective side of Natarajan’s creativity. He draws inspiration from the young performers, such as Jemima Liew-Yeo, an eight-year-old with ADHD and dyslexia, whose bold choices have deeply moved him. For Natarajan, moments like this remind him of the importance of inclusivity in theatre.
Despite the pressures of his career, Natarajan remains dedicated to his work, considering each show an opportunity to form meaningful connections. He is also a strong advocate for arts education, especially for young people. He believes that theatre is essential for children, offering them a space to explore without the pressures of grades or achievements. “Theatre gives kids a chance to be silly, to try things without worrying about grades,” he says.
As ChildAid prepares to celebrate its 20th year, Natarajan’s work continues to inspire and nurture the next generation of performers and dreamers, leaving a lasting impact on both the stage and the lives of those involved.
